December 3, 2024 — The Hebrew University of Jerusalem proudly congratulates two of its esteemed researchers for receiving prestigious European Research Council (ERC) grants. These grants, each valued at approximately 2 million euros (approximately 2,078,850.00 USD), are awarded to researchers leading innovative projects and join a long tradition of Hebrew University scholars who have been recognized with this honor in previous years.

The recipients from Hebrew University are:

Prof. Dina Schneidman, The Rachel and Selim Benin School of Computer Science and Engineering, for her research titled “Deep Learning for Structure-Based Discovery of Adaptive Immune Receptors.” Prof. Schneidman’s research focuses on the human immune system’s adaptive receptors, which identify and combat pathogens. While modern sequencing technologies provide data on these receptors, interpreting it to understand immune responses or guide medical decisions remains challenging. Her project leverages geometric deep learning to predict accurate 3D structures of immune receptors, overcoming limitations caused by their rapid evolution. This innovative approach aims to map pathogenic proteins recognized by the immune system and design therapeutic receptors. The tools developed are expected to transform immune research, advance vaccine development, and support breakthroughs in cancer and autoimmune treatments.

Prof. Yoel Greenberg, from the Department of Musicology, for his research titled “Toward a Diachronic Music Theory.” Prof. Greenberg’s research aims to revolutionize the field of music theory by shifting focus from rigid temporal frameworks to the processes of stylistic change over time. This groundbreaking approach involves analyzing thousands of musical works composed between 1680 and 1829 to uncover how stylistic shifts emerged. By examining trends in musical forms, phrase structures, cadences, and recurring patterns, the study will reveal the forces driving musical evolution and offer a fresh perspective on theoretical music research. The project will not only deepen our understanding of historical musical styles but also provide a flexible framework for reexamining music theory and its methodologies in the digital age.